The treasury secretary’s father, a New York art dealer, paid a record price last week for a work by a living artist. But for whom?
What Australia’s Aboriginal artists and filmmakers are teaching Americans in two radiant shows.
The Modernist master left his mark on generations, from Renzo Piano and Norman Foster to David Adjaye and Billie Tsien.
The look is personal, but when you peel it back, the message is subtly topical.
Why “Rabbit,” the perfect art for the roaring mid-80s, continues to speak to us.
Demand for a former graffiti tagger named Brian Donnelly transforms a speculative market for paintings.
A gift from the president of the museum’s board will allow it to be “more welcoming and more open,” the MOCA director said.
Like so many good ideas, the Every Woman Biennial was born of a joke. Now it’s in its third edition, displaying the work of over 600 female and nonbinary artists, and expanding to Los Angeles.
Mr. Pei, a committed modernist, was one of the few architects equally attractive to real estate developers, corporate chieftains and art museum boards.
For Elisabetta Matsumoto, knot theory is knit theory.